By Rajal Monga and Rusheen Bansal
The Chilling Adventures of Sabrina is the all-new, and like all the other Netflix specials, experimental series that came out last month, leaving a trail of an unexpected fandom behind. Personally, I initially resisted watching this show as it seemed “basic” and “cliched”, replete with witches, dark magic and predictable supernatural twists. However, one sunny day when I was scrolling through Netflix trying to procrastinate away my stress, I stumbled upon this series and decided to give it a try. Let me tell you this: Best. Decision. Ever.
Like the rest of you, I assumed that because the older TV show, Sabrina: The Teenage Witch, was a sitcom, with its funny elements and educational lessons, in essence, meant for a younger age group, this show will follow those popular footsteps. However, I slowly realised that this show is perfect for us millennials, with really-dark plot twists, an AH-mazing wardrobe, and an incredibly talented cast. This new show is nothing like the older one, which for the first time ever, is a good thing. It has great screenwriting which flows perfectly with the immersive storyline. The “chilling” touch gives it a sense of overall unpredictability.
My favourite part of this entire series was the portrayal of the strong female leads. CAOS makes uses of feminism as a modern viewpoint of displaying Sabrina’s gifts, intellect and courage which lead her to remain in control of her life rather than the various great forces seeking to control her, including Satan himself. It explores the concept of power further with the side characters and how they differ the uses according to their personal intentions. Moreover, the side characters have been built so well, that although the central romance is not that appealing, their bright and engaging personalities aid the show from getting dragged down by it.
Lastly, I think Kiernan Shipka is the perfect Sabrina, both canny and uncanny, simultaneously wise and innocent. We’re still waiting for Ross Lynch and her to be a thing.
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